Well, I made it to the Constable exhibition on Friday 14th November. I have to say I was surprised to see a large number of works by painters and engravers other than Constable, but they were there to illustrate his influences. As such, they gave a valuable insight into how Constable derived ideas for his paintings. One particular irony was the inclusion of a Turner!
It was quite interesting to see Constable's large "six-footer" oil sketches. These were so obviously used to plan the finished article and, in fact, the finished paintings did not always follow the sketches.
I was interested to see how this exhibition compared to the "Late Turner" exhibition at the Tate. It was a quite different experience to the Turner show, with much more emphasis placed on the artist's development and influences. With the Turner show, we were given a view of the artist in his later years.
The two artists' self-portraits in their teenage years were quite disarming in their similarity. There is a clear description of the fashions of the day and the approach taken in the portraits.
All photography was banned (quite rightly in my opinion), so I can't show you any records of my visit. However, here are a few images taken from the internet to whet your appetite.
Check here to see what David's working on and follow his trials and tribulations.
Subscribe to:
Post Comments (Atom)
Is this blog really worth it?
I'm seriously considering abandoning this blog. I don't get round to updating it often enough and I suspect that it doesn't'...
-
After the recent ordeal by snow, I was able to get into my studio (garage) to work on one of my new paintings. It’s the third of my three Ve...
-
I've recently been working on a painting of the beach at Narbonne Plage in the South of France. Working from my own photo, I started by ...
-
It's been a year now since I lost the use of my right hand. This was due to a damaged radial nerve in my elbow. How did that happen? I d...




No comments:
Post a Comment